Perhaps China’s most important contemporary performance artist, Zhang Huan’s first monograph contains images from his early performance like 65 Kilograms and 12 Square Meters, as well as his most recent work, which more heavily engages with Buddhism. Huan’s work has always emphasized struggle with the limitations of the human body, and this book includes self-portraiture, photography, sculpture, performance, and even an impressive selection of ash-on-linen drawings.